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Alien keeps it in Ridley Scott's circle, and that's a risky retreat

A new Alien film written by Scott collaborator Aaron Guzikowski could be great, but it looks like a retreat to the founder's orbit just when Romulus pointed another way.

Published
October 25, 2026
Reading time
3 min
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Movies

Photo: Peter Kudlacz / Wikimedia Commons (CC BY 2.0)

What do you do when your franchise finally lands a crowd-pleaser? If you're the Alien brain trust, apparently, you go back to the founder's circle. That's how this week's news reads to us, and we're not sure we love it.

Here is what we know. Deadline reports that Aaron Guzikowski, creator of the Scott Free-produced HBO Max series Raised by Wolves, is scripting a new Alien movie for 20th Century. TheWrap adds that he is the writer of Prisoners. Unconfirmed accounts also say Ridley Scott himself turned to Guzikowski to jumpstart the project. Nothing we've seen mentions a director, a cast or a release date.

That's the whole picture for now, so what follows is our reading of it, not a leak.

Romulus showed the way, and this feels like a detour

Alien: Romulus did something the franchise had struggled to do for years, at least in our view: it felt like a movie people wanted to see, not a lecture on where the xenomorph came from. Our read of its lesson is simple. Alien works when it's lean, tactile and scary.

Nothing in the reports says the new film will ignore that lesson. But a project that starts with Scott's own collaborator, and with Scott reportedly steering it into motion, makes us nervous about which Alien we'll get. We worry about the creator's philosophical itch (where did these things come from, and who made us?) winning out over the audience's appetite for a monster in a corridor. That's a worry, not a fact, and the film may prove us wrong.

There's also a simple question of momentum. A franchise that has just rediscovered what makes it work doesn't need a course correction; it needs more of the same instinct, applied by people willing to take risks. Handing the next step to the most familiar hands in the building feels, to us, like the safe choice wearing a bold choice's jacket.

The pairing isn't the problem. The signal is.

Scott created the visual language of this series, and nobody should dismiss that. Empire notes that Guzikowski collaborated with Scott on Raised By Wolves and wrote Prisoners. That is a real track record, and Prisoners shows, in our opinion, that he can write dread. A tight, human thriller from him could be excellent.

Still, if the studio wants fresh voices in the franchise, it sends a mixed message when the next step comes through the founder's closest creative circle. If every new chapter has to pass through one man's taste, Alien risks becoming a franchise that only ever answers to him. The best installments, in our view, were the ones that felt like a new crew in a new place facing the same terror.

And to be fair, none of this says Guzikowski can't surprise us. A writer who knows the boss's habits can also be the one who knows how to push back on them. We'd love to be wrong about that, and the script is the only thing that will settle it.

What the studio should do instead

Keep the door open for Romulus-style stories. Alien has always been strongest as a flexible template: different crews, different settings, the same terror. Turning it into one long mythological saga narrows it. If the new film delivers a lean horror story with the mythology as seasoning, we'll happily eat our words. If it's cosmic homework again, expect shrugs.

Our verdict: this looks like a retreat dressed as a reinvention, though a talented one. The smartest thing 20th Century could do is treat Scott as a consultant, not a compass, and keep the Romulus lane alive. Until a director, cast and release date are announced, we'd stay skeptical, and curious.

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