Monarch's Season 3 reset is smart, but humans didn't sink it
Apple and Legendary are reportedly eyeing new writers and new Titans for Monarch, and it's the right instinct, but the show's problem was never too much human drama, just the wrong balance.
Photo: BPKEVIN01 / Wikimedia Commons (CC0)
When a show set in the Godzilla universe needs a "reset," you have to ask the obvious question: what, exactly, was it doing with all that screen time instead of monsters? Monarch: Legacy of Monsters may be about to answer it, and the answer is more complicated than "too many people talking in rooms."
Nothing is official, but the direction is already telling
Deadline reports that Apple TV and Legendary Television are in renewal talks for a third season that would take the show in a new direction, with new Titans from the Monsterverse. A search is underway for a new showrunner and writers to replace the Season 1 and 2 team led by Chris Black, who co-created the series with Matt Fraction.
Nothing is final. Collider notes that Season 3 is in development but not greenlit, and that it's unclear whether Godzilla and Kong will appear or whether any characters from the first two seasons will return. Trade outlets are calling it a reboot or soft reboot, but that's their framing, not a confirmed plan.
The human-drama theory is too easy
The tempting take is that the family sagas sank the show and the monsters should finally take over. We don't buy it, at least not in that form. RogerEbert.com argued that the series achieved a franchise first by giving the Monsterverse compelling human characters. IGN described Season 2 as scratching the kaiju itch while staying character-driven. Those aren't reviews of a show collapsing under its people.
The more measured criticism comes from CBR's Season 2 review, which says the season delivers bigger monster and character moments but "still struggles." That fits what we'd guess is the real issue: a structure that cut between the 1950s and the present, so that every Titan reveal competed with a family mystery. Split your attention across two timelines and you rarely get to let a monster breathe.
Our view, and it is only a view: the humans weren't the flaw, the ratio was. Giant-monster stories live on awe, and awe needs time. A creature that appears, causes a plot point and vanishes never becomes an event.
The reset works only if the Titans are the story
Here's where the reboot gets interesting. Reports say the new season would feature new Titans, and one outlet notes that Season 2 teased Rodan. If a Titan becomes the spine of the season, rather than the backdrop to a secret-organization thriller, the show could finally get an identity the films can't copy. Movies give you two hours of spectacle. A series can give you the aftermath: the evacuation, the cleanup, the bureaucracy of living next to something the size of a skyscraper.
The risk is real, though. Replace the team that built what is arguably the show's most praised asset, its characters, and you may keep the monsters while losing the reason people cared. A new writers' room needs to inherit that craft, not just the budget for bigger footprints. And if Season 3 drops the existing cast entirely, that's a gamble Apple should justify with better creature storytelling, not just novelty.
There's also the crowded neighborhood to consider. Collider notes that Godzilla x Kong: Supernova arrives in theaters next spring. A separate series is also in the works around Lee Shaw, with Wyatt and Kurt Russell returning, set in 1984 amid Cold War intrigue and giant monsters. That matters for Monarch. If Shaw's story is getting its own show, the flagship series has less need to keep orbiting him. We read that as a strong argument for letting Season 3 be about something else entirely.
Verdict
Treat this as a good instinct, not a good plan, because there's no plan yet. Wanting a fresh creative team and new Titans is the right diagnosis if the diagnosis is "the balance was off." It's the wrong one if the diagnosis is "people are boring."
Our recommendation to Apple and Legendary: keep one or two human anchors, build each episode around a creature rather than a conspiracy, and pick a single timeline. Do that and the reboot could be the version of Monarch that justifies a TV budget. Skip it, and you'll have swapped one set of writers for another and a new monster for the same problem.
No topics yet: start the first one.
More stories
PUBG on Netflix only works if Donald Glover buries the brand
Netflix is betting on a battle royale with no plot. The only thing that can turn that logo into a story is Donald Glover's authorship, and the odds are real but thin.
Netflix keeps betting on The Diplomat because it never shouts
A fifth season, announced two weeks after season 4, shows Netflix values the adult thriller that holds its audience over the noisy event series that spikes and vanishes.
Nocturne bets on Stephen Graham's menace, and it pays off
Apple TV's serial-killer thriller is flawed and familiar, but by building everything around Stephen Graham's quiet menace, it becomes a crime drama that's hard to look away from.
Noah Wyle's Sexiest Man Alive crown proves TV now makes our leading men
At 55, a doctor from a hospital drama takes People's biggest title. We think it says less about Wyle's looks than about where leading-man appeal gets built today.



